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Dr. JIANG Fangting

Associate Curator
Hong Kong Palace Museum (Hong Kong)

Fellowship Project

Dr. Jiang Fangting will spend four months (September – December 2027at The Cleveland Museum of Art (“CMA”) (Cleveland, U.S.A.), where she will study the CMAs collection of Yuan and Ming dynasty Jiangnan literati paintings and calligraphy that integrate poetry, calligraphy, and painting. During her residency, she will also conduct in-depth research on the museum’s curatorial, conservation, and educational practiceswhile exploring opportunities for collaboration between the Hong Kong Palace Museum and the CMA through exhibitions and academic programmes. She also hopes to facilitate a sustained network of scholarly exchange with museums in the United States.   

Biography

Dr. Jiang Fangting specialises in the history of Chinese painting and calligraphy, with a particular emphasis on Jiangnan literati painting and calligraphy of the Yuan and Ming dynasties. She earned her PhD from the Department of Fine Arts at The Chinese University of Hong Kong in 2017 and subsequently served as a Postdoctoral Fellow at the university’s Art Museum. During her Post-doctoral Fellowship, she co-curated the exhibition Transcending Transience: Art and Culture of Late Ming Jiangnan and was one of the lead editors of its catalogue.. Dr. Jiang is currently an Associate Curator at the Hong Kong Palace Museum, where she has curated exhibitions including “Heavenly Horses—Masterpieces from the Palace Museum”, “The Hong Kong Jockey Club Series: Stories Untold—Figure Paintings of the Ming Dynasty from the Palace Museum”, and “The Making of Masterpieces—Chinese Painting and Calligraphy from the Palace Museum”.

Recent Development and Achievement

Selected Publication(s)

Books and Catalogues

  1. Member of the Editorial Board, ed. by Fan Mo, 1001 Chinese Paintings, Beijing: China Pictorial Publishing House, 2026. https://search.megbook.com.hk/mall/detail.jsp?proID=4223130
  2. The Palace Museum and the Hong Kong Palace Museum ed., (Wang Yimin, Jiang Fangting and Raphael Wong ed.): The Making of Masterpieces: Chinese Painting and Calligraphy from the Palace Museum. Beijing: Palace Museum Press, 2022. https://www.hkpm.org.hk/tc/research/publication/the-making-of-masterpieces-chinese-painting-and-calligraphy-from-the-palace-museum-chinese
  3. David Ake Sensabaugh, Raphael Wong, and Jiang Fangting ed., The Making of Masterpieces: Chinese Painting and Calligraphy from the Palace Museum. Hong Kong: The Commercial Press (Hong Kong) Ltd., 2022. https://www.hkpm.org.hk/tc/research/publication/the-making-of-masterpieces-chinese-painting-and-calligraphy-from-the-palace-museum-english
  4. Project Director: James C. Y. Watt, Curators and Editors: Maggie C. K. Wan & Jiang Fangting, Transcending Transience: Art and Culture of Late-Ming Jiangnan. Hong Kong: The Chinese University of Hong Kong & Department of Fine Arts, 2021. https://cup.cuhk.edu.hk/index.php?route=product/product&product_id=4250

 

Articles: 

  1. Jiang Fangting, “The Emperor’s Horses: Starting from the ‘Imperial Hunting Scenes of the Qianlong Emperor’”, in Forbidden City, 2026(4).
  2. Jiang Fangting, “Transcending Transience: Contradiction and Integration in the Humanities and Arts of the Late Ming Period”, in Art Panorama, 2022(6).
  3. Fangting Jiang, “Stories Untold: Figure Paintings of the Ming Dynasty from the Palace Museum”, in Arts of Asia, Winter 2024.
  4. Jiang Fangting, “Yun Shouping’s Social Network and His Landscape Painting”, in Art Panorama, 2024(2).
  5. Jiang Fangting, “Art Collection in the Ming Dynasty: A Case Study of ‘Returning Boats on a Snowy River’”, in Art Panorama, 2022(6). 
  6. Jiang Fangting, Raphael Wong and Lung Tak Chun, “The Making of Masterpieces: Chinese Painting and Calligraph from the Palace Museum”, in Arts of Asia, Summer 2022.
  7. Jiang Fangting, “Relationship between the Album ‘Grand Canal Journey’ and the River Regulation of the Mid-Late Ming Dynasty”, in Collections, 2020(3).
  8. Jiang Fangting, “From Mysticism to Verisimilitude: The Development of Travel Landscape in Early to Mid-Ming Dynasty”, Harold Mok ed., The Bei Shan Tang Legacy, Chinese Painting. Hong Kong: The Chinese University of Hong Kong & Department of Fine Arts, 2019.
  9. Jiang Fangting, “Wang Shizhen and the Landscape Sketches of the Grand Canal in the Shui Cheng Album”, included in The Collected Work of the 34th World Congress of Art History. Beijing: The Commercial Press, 2019.
  10. Jiang Fangting, “The Relationship between Wang Shizhen and the Prosperity of Wu School’s Traveling Painting of Ming Dynasty”, Bei Jing Hua Yan ed., Research of Chinese Painting and Calligraphy. Nanning: Guangxi Fine Arts Publication, 2018.
  11. Jiang Fangting, “A Study of Yao Tingmei’s Leisure Enough to Spare in Late Yuan”, Shao Yan ed., Research of Yuan’s Painting. Peking: the People’s Fine Arts Publishing House, 2017.