to top






馬熙樂教授是英國牛津大學中國藝術副教授和阿什莫林藝術與考古博物館的中國藝術研究館員。馬教授曾任大英博物館中國陶瓷和紡織品策展人,並擔任東方陶瓷學會主席。她在中國藝術方面發表了廣泛的著作,包括有關陶瓷和絲綢的書籍、有關北宋(960-1127年)物質文化許多方面的文章,以及有關現代中國畫的一系列收藏和展覽目錄。她負責阿什莫林的三個畫廊,包括兩個永久畫廊 「中國 3000BC – AD800」和「中國 AD800後」,以及蘇立文、吳環伉儷中國畫畫廊,每年舉辦兩次畫展。她同時是已故蘇立文教授的遺作管理人。





  • Vainker, S. J. (2016). Liu Dan: New Landscapes and Old Masters. Oxford: Ashmolean Museum Publications.
  • Vainker, S. J., & Chen, Y. (2015). Fang Zhaoling (1914–2005): A Centenary Exhibition. Oxford: Ashmolean Museum Publications.
  • Vainker, S. J., Xu, B., Goldman, J., McDonald, P. D., & Ashmolean Museum,. (2013). Landscape/landscript: Nature as language in the art of Xu Bing. Oxford: Ashmolean Museum of Art and Archaeology.
  • Vainker, S. J. (2004). Chinese silk: A cultural history. London: British Museum.
  • Vainker, S. J. (1997). Chinese pottery and porcelain: From prehistory to the present. London: British Museum Press.


  • Vainker, S. J. (2017). Chinese Paintings in the Ashmolean Museum, Oxford. In Pejčochová, M., & von Spee, C., & Verlag, D. R. (Eds.), Modern Chinese painting & Europe: New perceptions, artists encounters, and the formation of collections. Berlin: Reimer.
  • Vainker, S. J. (2013). Lui Shou-kwan in England: the Contribution of Geoffrey Barker. In You, J. (Ed.), Two Masters, Two Generations, and One Vision for Modern Chinese Painting. Hong Kong: The Art Museum, Chinese University of Hong Kong.
  • Vainker, S. J. (2004). Chinesische Malerei der Gegenwart in London, 1935 [Modern Chinese Painting in London, 1935]. In Birnie, D. J., & Stuck, V. (Eds.), Shanghai modern 1919-1945. Ostfildern-Ruit: Hatje Cantz.
  • Vainker, S. J. (2003). Luxuries or not? Consumption of silk and porcelain in eighteenth-century China. In Berg, M. & Eger, E. (Eds), Luxury in the eighteenth century: Debates, desires and delectable goods. Basingstoke: Palgrave Macmillan.


  • Vainker, S. J. (2012). Annales du musee national des arts asiatiques Guimet et du musee Cernuschi, Cahiers de l’Ecole francaise d’Extreme-Orient [Fu Baoshi in Chongqing: Some Paintings in European Collections, Arts Asiatiques]. Tome, 67, pp. 89–96.
  • Vainker, S. J. (2012). ‘Northern Song Lacquer’. In The Art Museum, The Chinese University of Hong Kong (Eds.), 中國漆器研討會論文集 [Proceedings of Conference on Ancient Chinese Lacquer], 21–30.
  • Vainker, S. J. (2009). Owning ceramics in the Northern Song dynasty: thoughts on who and how. Transactions of the Oriental Ceramic Society, 74, 103–12.
  • Vainker, S. J. (2008). Ceramic consumption in Northern Sung China: the case of the educated urbanite. In Wang, Y. T. (Ed.), 開創典籍︰北宋的藝術與文化研討會論文集 [Conference on Founding Paradigms: Papers on the Art and Culture of the Northern Sung Dynasty, Taipei, National Palace Museum], 77–95.
  • Vainker, S. J. (2005). Northern Song white wares in the Ashmolean Museum, Oxford. In Li Zhongmou (Ed.), Proceedings of Conference on White Ware Ceramics, Shanghai (Shanghai Museum), 506–18.