to top






马熙乐教授是英国牛津大学中国艺术副教授和阿什莫林艺术与考古博物馆的中国艺术研究馆员。马女士曾任大英博物馆中国陶瓷和纺织品策展人,并担任东方陶瓷学会主席。她在中国艺术方面发表了广泛的著作,包括有关陶瓷和丝绸的书籍、有关北宋(960-1127年)物质文化许多方面的文章,以及有关现代中国画的一系列收藏和展览目录。她负责阿什莫林的三个画廊,包括两个永久画廊 「中国 3000BC – AD800」和「中国 AD800后」,以及苏立文、吴环伉俪中国画画廊,每年举办两次画展。她同时是已故苏立文教授的遗作管理人。





  • Vainker, S. J. (2016). Liu Dan: New Landscapes and Old Masters. Oxford: Ashmolean Museum Publications.
  • Vainker, S. J., & Chen, Y. (2015). Fang Zhaoling (1914–2005): A Centenary Exhibition. Oxford: Ashmolean Museum Publications.
  • Vainker, S. J., Xu, B., Goldman, J., McDonald, P. D., & Ashmolean Museum,. (2013). Landscape/landscript: Nature as language in the art of Xu Bing. Oxford: Ashmolean Museum of Art and Archaeology.
  • Vainker, S. J. (2004). Chinese silk: A cultural history. London: British Museum.
  • Vainker, S. J. (1997). Chinese pottery and porcelain: From prehistory to the present. London: British Museum Press.


  • Vainker, S. J. (2017). Chinese Paintings in the Ashmolean Museum, Oxford. In Pejčochová, M., & von Spee, C., & Verlag, D. R. (Eds.), Modern Chinese painting & Europe: New perceptions, artists encounters, and the formation of collections. Berlin: Reimer.
  • Vainker, S. J. (2013). Lui Shou-kwan in England: the Contribution of Geoffrey Barker. In You, J. (Ed.), Two Masters, Two Generations, and One Vision for Modern Chinese Painting. Hong Kong: The Art Museum, Chinese University of Hong Kong.
  • Vainker, S. J. (2004). Chinesische Malerei der Gegenwart in London, 1935 [Modern Chinese Painting in London, 1935]. In Birnie, D. J., & Stuck, V. (Eds.), Shanghai modern 1919-1945. Ostfildern-Ruit: Hatje Cantz.
  • Vainker, S. J. (2003). Luxuries or not? Consumption of silk and porcelain in eighteenth-century China. In Berg, M. & Eger, E. (Eds), Luxury in the eighteenth century: Debates, desires and delectable goods. Basingstoke: Palgrave Macmillan.


  • Vainker, S. J. (2012). Annales du musee national des arts asiatiques Guimet et du musee Cernuschi, Cahiers de l’Ecole francaise d’Extreme-Orient [Fu Baoshi in Chongqing: Some Paintings in European Collections, Arts Asiatiques]. Tome, 67, pp. 89–96.
  • Vainker, S. J. (2012). ‘Northern Song Lacquer’. In The Art Museum, The Chinese University of Hong Kong (Eds.), 中国漆器研讨会论文集 [Proceedings of Conference on Ancient Chinese Lacquer], 21–30.
  • Vainker, S. J. (2009). Owning ceramics in the Northern Song dynasty: thoughts on who and how. Transactions of the Oriental Ceramic Society, 74, 103–12.
  • Vainker, S. J. (2008). Ceramic consumption in Northern Sung China: the case of the educated urbanite. In Wang, Y. T. (Ed.), 开创典籍︰北宋的艺术与文化研讨会论文集 [Conference on Founding Paradigms: Papers on the Art and Culture of the Northern Sung Dynasty, Taipei, National Palace Museum], 77–95.
  • Vainker, S. J. (2005). Northern Song white wares in the Ashmolean Museum, Oxford. In Li Zhongmou (Ed.), Proceedings of Conference on White Ware Ceramics, Shanghai (Shanghai Museum), 506–18.