Meet Our Fellows

精選出版

專著:

• Bergmann, A., Hertel, S., Noth, J., Papist-Matsuo, A., & Schrape, W. (Eds.) (2015). Elegant Gathering in a Scholar’s Garden: Studies in East Asian Art in Honor of Jeong-hee Lee-Kalisch. Weimar: Verlag und Datenbank für Geisteswissenschaften.

出版論文:

• Hertel, S.（即將出版）. Reconstructing Early Modern Archtitectural Spaces in Late-Ming (1368–1644) and Early-Qing (1644–1911) China: Formats and Functions of Large-Scale Calligraphy. In Hopkins, A. (Ed.), Lost and Found in Translation: Citation and Early Modern Architecture. Cambridge: Cambridge University Press.
• 何小蘭（forthcoming)。〈追尋「線條的內美」：黃賓虹（1865–1955）、林散之（1898–1989）與王冬齡（1945–）之間的師承路徑及草書藝術的審美意義〉。載於寒碧（主編），《現象》。香港：商務印書館。
• Hertel, S. (2018). Whither the methods of the ancients? Huang Binhong’s clerical-scripted painting as a response to the “harmonious uniting of red-and-green and ink”. In Bergmann, A., & Lee-Kalisch, J. (Eds.), Transcultural Interwinements in East Asian Art and Culture, 1920s – 1950s (101 – 126). Berlin: Eine Publikation der Studien für Ostasiatische Kunstgeschichte, Freie Universität Berlin.
• Hertel, S. (2016). Re-membering the peach blossom stream: image, word, and commemoration in late works by Huang Binhong (1865–1955). In Li, S., & Ding, N. (Eds.), Selected Papers from the International Graduate Symposium of Art History, Peking University, 2013–2015 (55 – 82). Guilin: Guangxi Normal University Press.
• Hertel, S. (2016). Lines in translation: cross-cultural encounters in modernist calligraphy, early 1980s – early 1990s. Yishu: Journal of Contemporary Chinese Art, 15(4), 6 – 28.
• Hertel, S. (2016). Concept of transformation or transformation of concept? Investigating a calligraphic lineage in twentieth-century China. In Lee-Kalisch, J., & Renger, A. (Eds.), Meister und Schüler. Master and Disciple: Tradition, Transfer, Transformation (339 – 356). Weimer: VDG.

期刊:

• Hertel, S. (2020). Deterritorializing Chinese calligraphy: Wang Dongling and Martin Wehmer’s “Visual Dialogue” (2010). The Journal of Transcultural Studies, 11(2), 113 – 149.
• Hertel, S. (2020). Creating academic-museal dialogue in-between ivory towers and unwritten pages: Tsinghua University Art Museum and its collection of Chinese contemporary calligraphy. Génération: Histoires nouvelles en Chine et en Asie de l’Est, 37(2), 93 – 137.
• Hertel, S. (2020). Of Kowloon’s uncrowned kings and true recluses: commemoration, trace, and erasure, and the shaping of a Hong-Kong-topia from Chen Botao (1855 – 1930) to Tsang Tsou-choi (1921 – 2007). Art Research, 1, 24 – 34.
• Hertel, S. (2019). Tasting antiquity in a ‘newborn palace of art’: collecting and displaying Chinese calligraphy at Tsinghua University Art Museum. Yishu: Journal of Contemporary Chinese Art, 18(4), 23 – 44.
• Hertel, S. (2017). Texturing the landscape: stone-engraving traditions in China as human refinement, a contemporary position. Ritsumeikan Studies in Language and Culture, 28(4), 21 – 31.

展覽目錄:

• Klaas Ruitenbeek (Ed.). (2017). Faces of China: portrait painting of the Ming and Qing dynasties (1368 – 1912). Petersberg: Michael Imhof.