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  • Peng Y. C. (Forthcoming). Artful Subversion: Empress Dowager Cixi’s Image Making in Art. New Haven: Yale University Press.
  • Peng Y. C. (Forthcoming). Gendered Blue: Women’s Jeans in Post-War Taiwan. In M. Belli (Ed.), Gendered Thread of Globalization. Manchester: University of Manchester Press.
  • Peng Y. C. (Forthcoming). Entry of Empress Dowager Cixi. Grove Encyclopedia of Asian Art. Oxford: Oxford University Press.
  • Peng Y. C. (2019). The Dayazhai ware porcelains in the Rijksmuseum reconsidered. Aziatische Kunst, 49(3), 14-17.
  • Peng Y. C. (2018). Shopping China in Europe: Samuel P. Avery (1822-1904) and the Collecting of East Asian Ceramics in the United States. In C. Howald (Ed.), Acquiring Cultures: Histories of World Art on Western Markets (pp. 47-68). Berlin: De Gruyter.
  • Peng Y. C. (2018). In the Name of Filial Piety: Qing Empresses and Qing Court Politics. In J. Stuart and D. Y. Y. Wu (Eds.), Empresses of China’s Forbidden City, 1644-1912 (pp. 129-141). New Haven: Yale University Press.
  • Peng Y. C. (2017). Reconfiguring Patriarchal Space: Empress Dowager Cixi (1835-1908) and the Reconstruction of the Gardens of Nurtured Harmony. In L. C. W. Blanchard, & K. Chiem (Eds.), Gender, Continuity, and the Shaping of Modernity in the Arts of East Asia, 16th–20th Centuries (pp. 191-223). Boston: Brill.
  • Peng Y. C. (2013). Lingering between tradition and innovation: photographic portraits of Empress Dowager Cixi (1835-1908). Ars Orientalis, 43, 157-75.
  • Peng Y. C. (2012). A palace of her own: Empress Dowager Cixi (1835-1908) and the reconstruction of the Wanchun Yuan. Nan Nü, 14(1), 47-74.