Meet Our Fellows

精选出版

• Li, Y. H. (2021). Burning Big Dharma Boats: Paper as Efficacious Medium. In Lin, W. C. and Cacchione, O. (Eds.). The Allure of Matter: Materiality Across Chinese Art (pp.150-179). Chicago: Center for the Art of East Asia and Smart Museum of Art.
• Li, Y. H. (2020). Becoming Guanyin: Artistic Devotion of Buddhist Women in Late Imperial China. New York: Columbia University Press. (Podcast Interview with New Books Network | Columbia University Press Blog for 2020 Women’s History Month)
• 李雨航（2020）。〈摹仿观音髮簪: 明代女性往生的物质媒介〉。载於赖毓芝、高彦颐与阮圆（主编），《看见与触碰性别：近现代中国艺术史新视野》。台北：石头出版社，页16-49。
• Li, Y. H. (2018). Producing Empress Dowager Cixi as Guanyin for Missionaries’ Eyes. Orientations, 49(6), 62–73.
• Zeitlin, J., & Li, Y. H. (Eds.). (2014). Performing Images: Opera in Chinese Visual Culture. Chicago: Smart Museum of Art, The University of Chicago Press.
• Li, Y. H. (2014). Representing Theatricality on Textile, in Zeitlin, J., and Li, Y. H. eds., Performing Images: Opera in Chinese Visual Culture. Chicago: Smart Museum of Art, The University of Chicago Press, 74-87.
• Li, Y. H. (2012). Oneself as a Female Deity: Representations of Cixi Posing as Guanyin. Nannü: Men, Women, and Gender in China, 14(1), 75–118.
• Li, Y. H. (2012). Communicating with Guanyin through Hair: Hair Embroidery in Late Imperial China. Journal of East Asian Science, Technology and Medicine, 36, 131–66.
• Li, Y. H., & Zurndorfer, H. T. (2012). Rethinking Empress Dowager Cixi through the Production of Art. Nan Nü: Men, Women, and Gender in China, 14(1), 1-20.