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Mr. LEE Ho Cheung

Curator
Take A Step Back Collection (Hong Kong)

Fellowship Project

Mr. LEE Ho Cheung spent 4 months (March – July 2024) at the Museum Rietberg in Zurich, Switzerland, to conduct thematic research on Chinese painting, and to have field trip in other European museums with important Chinese painting collections. He focused on the Charles A. Drenowatz Collection at the Museum Rietberg in conjunction with a comparative study of the Xubaizhai Collection at the Hong Kong Museum of Art, discussing the role of 20th-century European and Hong Kong private collectors in the connoisseurship of Chinese painting and calligraphy.

Biography

Mr. Lee Ho Cheung graduated from the Department of Fine Arts of the Chinese University of Hong Kong and obtained a Postgraduate Diploma in Museum Studies from the University of Leicester in the UK. He previously served as the Assistant Curator at the Hong Kong Museum of Art, where he was responsible for the research and exhibition planning of Chinese painting and calligraphy collections. Currently, he is the Curator of the Take A Step Back Collection in Hong Kong, overseeing the development of the collection, including acquisition management, collection research, publications, loans, and international exchanges. His curatorial scope spans Chinese painting and calligraphy from the late Qing dynasty to the 20th century and modern times, as well as contemporary art from Hong Kong and the other Asian regions. 

Recent Development and Achievement

    Recent exhibitions involved: 

    • “Life Planning of the Chinese Literati: Selected Chinese Painting and Calligraphy from the Xubaizhai Collection” (Hong Kong Museum of Art), 2024-2025. 
    • “Engaging Past Wisdom: Min Chiu Society at Sixty-five” (Hong Kong Museum of Art), 2025. 

     

    Recent publication of catalogues: 

    • Engaging Past Wisdom: Min Chiu Society at Sixty-five. Hong Kong: Hong Kong Museum of Art, 2025. 
    • The Jingguanlou Collection of Chinese Painting and Calligraphy: Zhu Qizhan. Hong Kong: Hong Kong Museum of Art, 2023. 

Selected Publication(s)

  • Lee H.C. (2025). Between Ambition and Retreat: Ming-Qing Literati Art in the Xubaizhai Collection, in Orientations, Nov/Dec 2025. 
  • 李浩祥(2025)〈煙花與雲霞:從虛白齋藏品看明清文人的仕隱殊途〉。《典藏古美術》,3892025-2,頁64-69 
  • 李浩祥(2023)。〈不負韶華是丹青──從靜觀樓藏品看朱屺瞻的百年華采〉。載於《靜觀樓藏中國書畫:朱屺瞻》(頁14-21)。香港:香港藝術館。 
  • Lee H.C. (2023). The Brush that Never Tires: The Art of Zhu Qizhan through the Lens of the Jingguanlou Collection, in The Jingguanlou Collection of Chinese Painting and Calligraphy: Zhu Qizhan, pp 22-31. Hong Kong: Hong Kong Museum of Art. 
  • 李浩祥(2021)。〈只一個惜字了得──香港藝術館「靜觀自得靜觀樓藏珍品捐贈展」〉。《典藏古美術》,3532022-2,頁84-89 
  • 李浩祥(2021)。〈廣東丹青寫下南方傳奇──香港藝術館「南嶺之南館藏廣東繪畫選」展〉。《典藏古美術》,3482021-9,頁70-77