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Meet Our Fellows

Dr. YU Pei-chin

Deputy Director
General-affairs
Palace Museum, Taipei

Fellowship Project

Dr. Yu Pei-chin spent six months (January – April 2014; August – November 2014) at The British Museum in London, U.K. where she studied the museum’s and other European museums’ collections of Qing Court ceramics, painted enamel and timepieces of the 18th century related to Giuseppe Castiglione, and completed her research project on “Castiglione and Porcelain”.

Biography

Dr. Yu Pei-chin currently serves as the General-affairs Deputy Director of the Palace Museum, Taipei. In recent years, she focuses on the research of Qing Court culture and its interaction with the West. She is also engaged in the Chinese ceramics research such as the imperial kiln wares of the Southern Song dynasty, porcelain of the Interregnum period and the imperial kiln wares of the Chenghua period.

Recent Development and Achievement

    • “Story of an Artistic Style: Imperial Porcelain with Painted Enamels of the Qianlong Emperor” at the Palace Museum, Taipei (1 December, 2020 – 30 June, 2022 in Northern Branch Room 203)
    • “Story of an Artistic Style: The Imperial Porcelain with Painted Enamels of the Kangxi Emperor” at the Palace Museum, Taipei (18 August, 2020 – 31 October, 2021 in Northern Branch Room 207)
    • “Curio Boxes of Qianlong Emperor” at the Palace Museum, Taipei (25 December, 2019 – 26 December, 2021 in Southern Branch Room 201)
    • “The Literati’s Ordinaries – A Proposal of Life from the 17th Century” at the Palace Museum, Taipei (September 28, 2019 – 5 January, 2020 in Northern Branch Rooms 105 & 107)
    • “The Prominent Exchanges Between East & West in the 17th Century” – Palace Museum, Taipei (2018)
    • “Story of a Brand Name – The Collection and Packaging Aesthetics of Emperor Qianlong in the 18th century” at the Palace Museum, Taipei (2017)
    • “Emperors’ Treasures: Chinese Art from the Palace Museum, Taipei” at The Asian Art Museum of San Francisco & The Museum of Fine Arts, Houston (2016)
    • “Special Exhibition: Ru Ware Narcissus Basin of Northern Song Dynasty – Treasured Masterpieces from the Palace Museum, Taipei” at The Museum of Oriental Ceramics in Osaka, Japan (2016)
    • “Precious as the Morning Star: 12th to 14th Century Celadons in the Qing Court Collection” at the Palace Museum, Taipei (2016)
    • “Portrayals from a Brush Divine: A Special Exhibition on the Tricentennial of Giuseppe Castiglione’s Arrival in China” at the Palace Museum, Taipei (2015)
    • “Treasured Masterpieces from the Palace Museum, Taipei” at the Tokyo National Museum and the Kyushu National Museum (2014)
    • “The All Complete Qianlong: The Aesthetic Tastes of the Qing Emperor Gaozong” at the Palace Museum, Taipei (2013)

Selected Publication(s)

Journal articles

  • 余佩瑾（2019）。〈多面體造型及相關問題——以清乾隆朝玻璃胎畫琺瑯黃地福壽八楞瓶為例〉。《台灣大學美術史研究集刊》，46，頁51-115。
  • 余佩瑾（2017）。〈殷弘緒書簡所見陶瓷樣式及相關問題〉。《故宮學術季刊》，34（3），頁123-168。
  • 余佩瑾（2015）。〈內蒙古出土的元青花高足杯及相關問題〉。《故宮學術季刊》，33（2），頁19-50。
  • 余佩瑾（2014）。〈郎世寧與瓷器〉。《故宮學術季刊》，32（2），頁1-34。
  • 余佩瑾（2014）。〈唐英監造轉心瓶及其相關問題〉。《故宮學術季刊》，31（4），頁205-249。
  • 余佩瑾（2020）。〈「風格故事——康熙御製琺瑯彩瓷」策展手記〉。《故宮文物月刊》，449，頁32-52。
  • 余佩瑾（2020）。〈國寶資料更新——以北宋汝窯青瓷無紋水仙盆為例〉。《故宮文物月刊》，445，頁96-112。
  • 余佩瑾（2018）。〈采挹流霞——乾隆皇帝收藏的成化官窯器〉。《故宮文物月刊》，429，頁62-77。
  • 余佩瑾（2017）。〈清宮傳世「仿洋瓷瓶」及相關問題〉。《故宮文物月刊》，410，頁78-89。
  • 余佩瑾（2016）。〈《埏埴流光》冊的繪製及相關問題〉，《故宮文物月刊》，404，頁46-60。
  • 余佩瑾（2016）。〈貴似晨星——清宮傳世十二至十四世紀青瓷特展〉。《故宮文物月刊》，396，頁34-49。
  • 余佩瑾（2015）。〈乾隆皇帝的汝窯鑑賞觀及識別歷程〉。《故宮文物月刊》，384，頁16-31。

Book articles

  • 余佩瑾（2018）。〈蘊生意——乾隆皇帝頌花小記〉。載於《花之禮讚——四大美術館聯合大展》，頁28-39。台中市：台灣美術館。
  • 余佩瑾（2017）。〈茹古含今——以乾隆初期乾清宮的配匣和分等典藏計畫為例〉。載於《品牌的故事——乾隆皇帝的文物收藏與包裝藝術》，頁276-297。台北故宮。
  • 余佩瑾（2017）。〈汝窯和北宋官窯〉，載於《李秉昌博士記念韓國陶磁研究報告》，頁35-41。大阪：大阪市立東洋陶磁美術館。
  • 余佩瑾（2016）。〈清宮傳世水仙盆〉。載於《台北故宮北宋汝窯青瓷水仙盆》，頁118-121。大阪：大阪市立東洋陶磁美術館。
  • 余佩瑾（2016）。〈清宮傳世宋元青瓷及相關問題〉。載於《貴似晨星——清宮傳世12至14世紀青瓷特展》，頁296-311。台北故宮。
  • 余佩瑾（2015）。〈丹青以外——郎世寧影響乾隆朝畫琺瑯裝飾紋樣的層面〉。載於《神筆丹青——郎世寧來華三百年特展》，頁375-387。台北故宮。
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